Out of Hands We Go

O'Death's latest album, "Out of Hands We Goin", is a wild, rollicking ride through the dark and twisted landscapes of modern Americana. The band, known for their genre-bending sound and intense live performances, takes a surprising turn on this record by embracing a more British English vibe. From the moment the opening track kicks in with its jaunty guitar riffs and pounding drums, it's clear that O'Death means business. The band manages to blend elements of folk, punk, and even a touch of Britpop into a cohesive sound that is uniquely their own. Lead singer Tom Fisher's haunting vocals soar above the driving instrumentation, adding a sense of urgency and depth to the songs. Tracks like "The Devil's Clog" and "Bloody Mary Morning" showcase the band's ability to craft intricate, lush arrangements that are both catchy and complex. But it's not all doom and gloom on "Out of Hands We Goin". The band also dives into more introspective territory on songs like "Echoes of My Mind" and "Sad Songs and Waltzes", showing a softer, more vulnerable side to their music. Overall, O'Death has delivered a bold and ambitious album that pushes the boundaries of their sound while still staying true to their roots. "Out of Hands We Goin" is a must-listen for fans of inventive, edgy music that refuses to be confined to any one genre.