Matthew Locke: Psyche

Locke’s “Psyche” is a baroque masterpiece that Ensemble Correspondances and Sebastien Daucé handle with all the finesse of a toddler delicately holding a plate of spaghetti. From the opening strains of the overture, it’s clear that this album is going to be a wild ride through the world of 17th century English composer Matthew Locke. The ensemble’s performance is nothing short of magnifique, blending voices and instruments in a way that feels simultaneously chaotic and controlled. Daucé’s direction is impeccable, guiding the musicians through complex textures and intricate counterpoint with the grace of a seasoned ballet dancer. Tracks like “Cupid and Death” and “The Wandering Lover” showcase the ensemble’s versatility, moving effortlessly from playful, lighthearted melodies to haunting, introspective harmonies. Each voice in the ensemble brings its own unique color and vibrancy to the mix, creating a rich tapestry of sound that is as captivating as it is complex. Locke may not be a household name in the classical music world, but after listening to this album, it’s clear that he deserves a place among the greats. Ensemble Correspondances and Sebastien Daucé have crafted a performance that is both faithful to the composer’s original intentions and fresh and exciting in its interpretation. If you’re a fan of baroque music, this album is a must-listen.