Johann Sebastian Bach: Magna Sequntia II

In a world full of classical music interpretations, Sonia Rubinsky stands out like a neon sign in a sea of pastels. Her latest album, "J.S. Bach: Magna Sequentia II," is a whirlwind journey through the intricate mind of the legendary composer. From the very first note, it's clear that Rubinsky is not here to play it safe. She fearlessly dives into Bach's complex compositions with a ferocity that is both awe-inspiring and terrifying. Her fingers dance across the keys like a spider on speed, weaving intricate webs of sound that seem to defy the very laws of physics. But don't let the intensity of her playing fool you - there is a playful, almost mischievous quality to Rubinsky's interpretation of Bach. She takes the familiar works of the composer and turns them on their head, adding unexpected twists and turns that keep the listener on their toes. Throughout the album, Rubinsky's passion for the music is palpable. Each note is played with such fervour and emotion that it's impossible not to be swept up in the music. From the hauntingly beautiful "Goldberg Variations" to the dizzying complexity of the "Chromatic Fantasy and Fugue," Rubinsky's performance is nothing short of electrifying. In a genre that can sometimes feel stale and predictable, Sonia Rubinsky injects a much-needed dose of energy and excitement. "J.S. Bach: Magna Sequentia II" is a wild, exhilarating ride that will leave you breathless and begging for more. Thank you, Sonia, for reminding us just how thrilling classical music can be.