Neun Deutsche Arien (Sampson, the King's Consort)

If I were reviewing this Handel album by Sampson, Bellamy, and The King's Consort in true quirky Pitchfork style, it would go something like this: Sampson, Bellamy, and The King's Consort take on Handel's "Neun Deutsche Arien" with all the gusto of a drunken sing-along at a classical music pub crawl. From the first note, you can tell these musicians are having a blast, and they want you to join in on the fun. While Handel's German Arias may seem like serious business, Sampson and Bellamy bring a refreshing playfulness to the compositions. Their voices dance and weave through the intricate melodies, creating an atmosphere that is both charming and infectious. The King's Consort provides a solid backbone for the soloists, with tight instrumentation and crisp articulation. The ensemble's energy is palpable, and you can't help but tap your foot along to the music. There are moments of pure beauty on this album, where Sampson's powerful voice soars over the lush orchestration, sending shivers down your spine. And then there are moments of sheer silliness, like when Bellamy and The King's Consort break into a playful round of musical tag. Overall, Handel's "Neun Deutsche Arien" is a delightful romp through the music of a Baroque master, brought to life by the infectious energy of Sampson, Bellamy, and The King's Consort. So grab a glass of wine, sit back, and let yourself be swept away by the joyous sounds of this album. Cheers!